가사
[Intro]
[soft pad swell
Distant shakers]
Bantwana bami
Lalelani
Kudala sigadile nina
Kudala nis’buka phezulu
Siyaphendula namhlanje (yeah)
[Verse 1]
Ngivuka ek’seni
Kukhona umoya endlini
Ngizwa amazwi angabonakali
Ath’ “ndodana
Ungakhohlwa”
Ngibona ugogo ephusheni
Esihleli eduze komlilo
Ehleka kancane
Angibiza
“Awu
S’khumbule ke manje”
[Chorus]
Bantwana bami
Bantwana bami
Sihamba nani
Ngosuku lonke
Makubenathi
Makubenathi
Nxa sidansa phansi kwelanga
Bantwana bami
Bantwana bami
Nizungezile
Nesiyezi
Makubenathi
Makubenathi
Nxa sidansa phansi kwenyanga
[Bridge]
[female vocal floats in]
Ngithi shaya phansi
Khumbula
La madlozi akho
Avukile (woah)
Umhlaba uyajika
Kodwa
Izimpande zihlala zikhona
[male + female call and response]
“Ngikuzwa”
(“Ngikuzwa”)
“Ngiyak’bona”
(“Ngiyak’bona”)
“Angisodwa”
(“Awusodwa”)
[Child vocal background]
(“Bantwana bami… bantwana bami…”) [soft
Repeating]
[Chorus]
Bantwana bami
Bantwana bami
Sihamba nani
Ngosuku lonke
Makubenathi
Makubenathi
Nxa sidansa phansi kwelanga
Bantwana bami
Bantwana bami
Nizungezile
Nesiyezi
Makubenathi
Makubenathi
Nxa sidansa phansi kwenyanga
[Outro]
[log drums breathe
Pads open up]
Sithi woah
Madlozi ethu
Sithi woah
Singabenu
Sithi woah
Madlozi ethu
Sithi woah
Singabenu (bantwana bami)
음악 스타일
Deep, meditative amapiano groove with log drums and soft, floating pads. Male vocals carry the lead in a low, calm register; female vocals answer in airy harmonies. A child’s distant, gentle vocal hums and repeats key words in the background, almost like a memory. Slow-build intro, spacious mid-section with percussive fills, and a warm, hypnotic outro—perfect for late-night spiritual dance floors., vocal, female vocals, deep