Gold On The Floor

1054

Muziek gemaakt door Basmail CEO Sarzah met Suno AI

Gold On The Floor
v4

@Basmail CEO Sarzah

Gold On The Floor
v4

@Basmail CEO Sarzah

Songteksten
[Verse 1]
Heels by the door
I came to breathe
Glass on the table
Good vibes on me
Your hands in the air
Mine on your waist
We left the hard days
Back at the place

[Pre-Chorus]
Say my name slow
We can move easy
One night, one smile
Baby, that’s plenty
No need to rush it
Let the room spin
We’re out here shining
Let the fun begin

[Chorus]
We came to live it up
Live it up, live it up
Pour it in my cup
We came to live it up
Tonight, we’re never done
Never done, never done
Look at how we shine
We came to live it up
(live it up)

[Verse 2]
Shoes off now
Dance on the rug
Your laugh so loud
It fills the club
My friends all smiling
Your crew too
Everybody look good
When the night is true
No bad news here
Leave it at the gate
We toast to the moment
We don’t wait

[Pre-Chorus]
Say my name slow
We can move easy
One night, one smile
Baby, that’s plenty
No need to rush it
Let the room spin
We’re out here shining
Let the fun begin

[Chorus]
We came to live it up
Live it up, live it up
Pour it in my cup
We came to live it up
Tonight, we’re never done
Never done, never done
Look at how we shine
We came to live it up
(live it up)

[Bridge]
If the world gets heavy
We can let it go
One more slow kiss
Then back to the glow
Hands up high now
Let the worries drift
We don’t need much
Just this feeling, this

[Final Chorus]
We came to live it up
Live it up, live it up
Pour it in my cup
We came to live it up
Tonight, we’re never done
Never done, never done
Look at how we shine
We came to live it up
(live it up)
We came to live it up
Live it up, live it up
Stijl van muziek
R&B with a mid-tempo pocket, swung drums, warm sub-bass, and glossy keyboard chords; verse rides smooth and intimate with finger snaps and sparse percussion, pre-chorus lifts with stacked harmonies and a filtered riser, chorus blooms with layered ad-libs and a chantable hook. Add reverse cymbal swells, glassy synth sparkles, and a tape-stop transition before the bridge. Bright, polished, late-night club sheen with a close-mic lead and silky doubles on the hook.

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