[Verse 1] Har ek patta Tune Haathon se buna hai Har ek kan-kan bhi toh Tujhmein hi basa hai Mitti ki is khushboo mein Tera hi nishaan hai Jo saans bhi hai mujh mein Woh Tera hi ehsaan hai
[Pre-Chorus] Tera naam hai sahara Tera naam hai dawa Tere bin main kya hoon Tu hi meri panaah
[Chorus] Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan
[Verse 2] Tooti hui raahon par Tu ne haath badhaya Andheri si aankhon ko Tune subah dikhaya Mere khamosh hoonton par Tera geet utar aaya Jab main tha bikharne ko Tu ne mujhe sambhala
[Pre-Chorus] Tera naam hai sahara Tera naam hai dawa Tere bin main kya hoon Tu hi meri panaah
[Chorus] Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan
[Bridge] Jahan dil tha thaka hua Wahan Tu ne jaan bhari Jahan aankh thi namm hui Wahan Tu ne roshni kari Ab har saans yahi kahe Mera Rab hai wohi Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam
[Chorus] Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan Bhajlo Yeshu naam ko bhajlo Bhajlo Yeshu naam Us hi ka reham-o-karam Aur hum par lakhon hai ehsaan
Style of Music
Worship ballad with gentle piano arpeggios, soft acoustic guitar, and lifted hand percussion; verse stays intimate and prayerful, pre-chorus strips to voice and pads, chorus opens with warm harmony stacks and congregational doubles on the anchor phrase. Subtle string swell into each lift, reversed cymbal breaths between sections, and a final chorus with wide reverberant choir. Intimate close-mic lead in verses, airy delay throws on key words, bright and spacious mix.