Mama Lib

590

Musica creata da Tamba Ngayenga con Suno AI

Mama Lib
v4

@Tamba Ngayenga

Mama Lib
v4

@Tamba Ngayenga

Testi
[Intro]
From Monrovia to Robertsfield,
From Paynesville to Buchanan,
Mama Lib

[Verse 1]
I see the bread on the shelf
And the price gone up again
I see your hand in my pocket
While you call it rain
Children countin' empty plates
Mothers countin' days
We been bendin' under pressure
Now we say your name

[Pre-Chorus]
Tell me who you serve
Tell me what you take
When the people cry
Do you still turn away?

[Chorus]
Whose side are you on?
Whose side are you on?
Mama, answer now
Whose side are you on? (whose side are you on)
Whose side are you on?
Whose side are you on?
Raise your hand up high
Whose side are you on?

[Verse 2]
We walked that red dirt road
With our shoes in dust
We sold our best small harvest
Just to buy some trust
The radio say "be patient"
But patience can't fill fire
When the well runs thin and dry
And the truth runs tired

[Pre-Chorus]
Tell me who you serve
Tell me what you hide
When the drums get loud
Do you stand with pride?

[Chorus]
Whose side are you on?
Whose side are you on?
Mama, answer now
Whose side are you on? (whose side are you on)
Whose side are you on?
Whose side are you on?
Raise your hand up high
Whose side are you on?

[Bridge]
We are the market cry
We are the mine and the dock
We are the schoolbell ring
We are the keeper of the clock
If you come for the people
Then the people rise
From Monrovia to Robertsfield
We won't close our eyes

[Final Chorus]
Whose side are you on?
Whose side are you on?
Mama, answer now
Whose side are you on? (whose side are you on)
Whose side are you on?
Whose side are you on?
Raise your hand up high
Whose side are you on? (hey)
Whose side are you on?
Whose side are you on?
Stile di musica
Country protest song with sweet Zulu drum groove, steady mid-tempo stomp, acoustic guitar and hand drums driving a marching pulse; intro spoken then verse rides sparse guitar and rim taps, pre-chorus opens with clapping and low harmony, chorus hits with gang vocals and call-and-response chants. Lead vocal is gritty and direct with doubled hook lines, short delay throws on key phrases, djembe fills and shaker lifts between lines. Mix is warm, earthy, and forward, soft, country

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